Fascinated by the concept of intimacy in Japan, and Japanese culture at large, Belgian photographer Zaza Bertrand created a documentary photo series inside rabuhos. In these kitschy safe havens, erotic desires roam freely yet anonymously, in utter seclusion. More colloquially known as love hotels, rabuhos epitomise the long-held pragmatic separation of sex and love in Japan.
Even though rabuhos have become pretty normalized in the national mindset, sentiments on this phenomenon tend to run the full gamut, from scandalized through embarrassment to titillate and sheer intrigue. As an outsider looking in, Zaza attempted to capture these innate dichotomies and paradoxes. Her physical presence yet inability to communicate with her subjects, creates a tension so palpable between her and the visitors she portrays (or models as she prefers to call them), it echoes through in her imagery. Reflecting the ambiguous perceptions on intimacy, the documental photo series captures a frail sense of alienation and poignancy at the same time.